You really explained your concept of the (un)function of abstract art, in this case the liberation of word forms to a reasonable argument supporting the underlying scaffolding of shape and space. The "backside" is as important as a liberation of expression as the front side, which shows us where to look, and how to look for all opportunities to experience how the art is "senseless to sense", "Yin to Yang", "form and function", leaning toward "rounded" cubisim but embracing the concept of 3D in the 2D format. This fills in the shape of emptiness to create form. Great job.
You really explained your concept of the (un)function of abstract art, in this case the liberation of word forms to a reasonable argument supporting the underlying scaffolding of shape and space. The "backside" is as important as a liberation of expression as the front side, which shows us where to look, and how to look for all opportunities to experience how the art is "senseless to sense", "Yin to Yang", "form and function", leaning toward "rounded" cubisim but embracing the concept of 3D in the 2D format. This fills in the shape of emptiness to create form. Great job.